Art in Second Life 2022 (25) Apocalypse by Milena Carbone

Saturday, March 5th, when I got the message from Milena about “Fury” (read about “Fury” by Milena Carbone in yesterdays post here), Milena told me about a 3rd exhibition, that opened today Sunday, March 6th, in Dido Haas’ exhibition space at Nitroglobus Roof gallery: “Apocalypse” by Milena Carbone. Milena said: “It is the last of the Tryptich about the war”. The Tryptich consists of Paroxysm (read here) at Milenas own gallery The Carbone Studio, of “Fury” at Calypso Bay (read here) and of “Apocalypse” at Nitroglobus Roof gallery.

The exhibition consists of 6 large pictures that can develop there strength in a particular way at Nitroglobus Roof Gallery with its floor that seems to mirror the pictures. Again Milena wrote an accompanying text to this last part:

Apocalypse

On the seventh day, my fall has stopped, I landed in Apocalypse. Here and now the veil is lifted on what was born underneath the sleepless nights, the vociferations of the madmen of war, the impossibility of fleeing. They are six fragile children, babies, born in subway halls, in cellars, fragile shelters, under the bombs.

Next to each of the 6 pictures is a text dealing with our fears and fury and with the courage we see, with forgiveness and solitude and yes also with hope, You’re invited to see Milena’s art and to read her thoughts.  Again you can get a copy of each picture for free.

Impressions ot “Apocalyse” by Milena Carbone at Nitroglobus Roof gallery

Milena Carbone (mylena1992) is a French artist and is in Second Life since mid 2019. She discovered its artistic potential and since then has devoted all her free time to creation, associating, as in real life, images and texts: “Milena Carbone is a fiction in which, as in any artistic work, biographical and imaginary elements are mixed.” Her creative process is iterative: some of her images inspire her stories and these stories modify the development of the image, which itself transforms the story.
Milena has an own gallery, the Carbone Studio and she has a bookstore @ Noir’Wen City.
Milena has an own website, you can also find her on flickr here and you can read her texts here.

Nitroglobus Roof Gallery is owned and curated by Dido Haas. Thank you, Dido for providing the space for the art and for enabling the exhibition “Apocalypse” by Milena Carbone, which will be open for the public until March 16th.
Thank you Milena for your art. Be assured, many of us feel like you yourself, helpless seeing as that one single man tries to destroy what we thought being a given – freedom and democracy.

Stand for Ukraine! Stand for a free Europe!!

Landmark to “Apocalypse” by Milena Carbone at Nitroglobus Roof Gallery
http://maps.secondlife.com/secondlife/Sunshine%20Homestead/38/22/1001
Landmark to Fury @ Calypso Bay by Milena Carbone
http://maps.secondlife.com/secondlife/Beach%20Paradise/150/141/103
Landmark to The Carbone Studio
http://maps.secondlife.com/secondlife/Woiler/179/188/3316
landmark to The Carbone Bookstore @ Noir’Wen City
http://maps.secondlife.com/secondlife/Noir%20Wen/243/203/32
Milena’s website
https://sites.google.com/view/thecarbonegallery/news
Milena Carbone’s flickr
https://www.flickr.com/photos/milenacarbone/
Milena Carbone’s writing
https://medium.com/@539568

Art in Second Life 2022 (24) Fury by Milena Carbone

Saturday, March 5th, I got another message from Milena: “Hello Diomita, I announce you the opening of my second exhibition about the war in Europe. “FURY” is exhibited at Calypso Bay, a residential area.

The exhibition consists of 6 large pictures that are shown open air at big walls around a Mediterrean market court. The contrast between these pictures and the peaceful setting couldn’t be bigger. Milena wrote a text to her pictures that I share here:

FURY
A tribute to the defenders of democracy in Ukraine and beyond

Since the beginning of March, the Russian army has been bombing residential areas, schools and hospitals. Why is it doing that ? Because this is all the Russian army knows how to do. It is their ruthless method, and the only one they know to defeat their adversary. As a Western European, I am appalled at the horrible spectacle of the innocent people who live in my part of earth, who share my culture, being crushed by a brainless military machine with an inordinate power.

In Europe, we have diversified and uncensored media and information sources, which bring different angles to the information, including points of view that relay Putin’s policy with benevolence. But this war is decried by all without a single exception. It is indefensible. Its reality is indisputable: the Russian army is summoned by its leaders, hiding it from their people, to kill children, women, and fragile people, with the only aim of tracing a safe path for the military to depose the elected Ukrainian power.

Fury, the second part of my artistic work on the war on my European land, is addressed in particular to the Russians to tell them the love and forgiveness of a European who did not experience the war, who did not attend the fall of the USSR, who, like all those of her generation saw Russia as a land of culture and opportunity for human encounters. I beg them to do everything in their power, with courage, to stop their own damnation before humanity and its courts and our common God.

Impressions of Fury by Milena Carbone

Each of the 6 pictures contains a text in Russian. The translation to French and to English can be obtained in the accompanying notecard. You can get a copy of each picture for free.

Milena Carbone (mylena1992) is a French artist and is in Second Life since mid 2019. She discovered its artistic potential and since then has devoted all her free time to creation, associating, as in real life, images and texts: “Milena Carbone is a fiction in which, as in any artistic work, biographical and imaginary elements are mixed.” Her creative process is iterative: some of her images inspire her stories and these stories modify the development of the image, which itself transforms the story.
Milena has an own gallery, the Carbone Studio and she has a bookstore @ Noir’Wen City.
Milena has an own website, you can also find her on flickr here and you can read her texts here.

Оставь осуждение ради мечтаний –
Quitte ce qui juge pour ce qui rêve – Leave judgement for dreaming

Thank you Milena for your art. Be asured, many of us feel like you yourself, helpless seeing as that one single man tries to destroy what we thought being a given – freedom and democracy.

Stand for Ukraine! Stand for a free Europe!!

Landmark to Fury @ Calypso Bay by Milena Carbone
http://maps.secondlife.com/secondlife/Beach%20Paradise/150/141/103
The Carbone Studio
http://maps.secondlife.com/secondlife/Woiler/179/188/3316
The Carbone Bookstore @ Noir’Wen City
http://maps.secondlife.com/secondlife/Noir%20Wen/243/203/32
Milena’s website
https://sites.google.com/view/thecarbonegallery/news
Milena Carbone’s flickr
https://www.flickr.com/photos/milenacarbone/
Milena Carbone’s writing
https://medium.com/@539568

Art in Second Life 2022 (22) Paroxysm by Milena Carbone

Sunday, February 27th, I got an invitation to visit “Paroxysm“, the latest exhibition at The Carbone Studio.
Milena Carbone had already sent me a picture named “Madness” a few days before. “Madness” was a free gift of her to all of her followers, expressing her despair and her support for the Ukrainian people.

Milena wrote in her invitation:

This morning, on Sunday 27th of February 2022, I woke up with a terrible headache.
For several days and nights I’ve been looking for information on TV channels and the internet about the events in Ukraine. I felt an irrepressible need to express what I felt, and that’s why I created this exhibition on Second Life and published a text on Medium, in just one day.
I know that this is no more than a relief to me. There is no judgment or message beyond my beliefs. And again, I have expressed very little compared to what is boiling inside me.
I offer this to you, it is yours. Thank you to everyone who pays attention to my work.

Paroxysm” consists of 6 pictures, they are all free for you to grab as a gift. And Milena gifted a text. I thought of writing an excerpt for the blog or to quote parts of it, but then I came to terms that I just publish Milena’s text as it it and that I use the blog to further spread it.

Here it it is .. a tribute to the Ukrainian defenders of democracy and beyond.

For years now, Europe has been suffering from an extremely serious neurological disease that I call the sleeping beauty syndrome.

Europe is the country in the world that offers the most comfort, the most social protection, the most job and work opportunities, the most civic engagement, the most technological and social innovation, the most culture, that is the most aware and responsible in terms of ecological transition (even if it is far from enough), where democracy and the rule of law are guaranteed to protect minorities and genders, to dialogue freely and openly with a great diversity of people who do not share your opinion in order to find consensus, to make one’s own point of view change. Of course, it takes time, of course it is not perfect, perfection is so boring. There is such a density of landscapes, celebrations, gastronomy, arts of living that a lifetime is not enough to explore them all. In spite of this, a growing part of the European people complains and calls the democratically elected leaders dictators. They complain that they have to make efforts, that they have to change their habits, that they have to change their consumption patterns, that they have to eat healthily, that they have to pay too much for petrol, that they have to give hospitality to desperate migrants, that they cannot enjoy themselves without restraint, the old illusory fantasy of the Parisian bourgeois revolution of more than fifty years ago. Extremist political parties feed on this resentment, all over Europe, the so-called extreme left or right, which still assume that they have a democratic foundation. These parties pervert the notion of freedom, which is hard work, by egoism which is lazy. They simplify the world in order to be on a par with the uncultured and suggest simplistic solutions that only serve their personal interests.

What has fallen asleep in Europe is the taste for the effort of thinking, and the courage of acting. And what is happening today in Ukraine, which passes through Europe like an intense pain passing through a weakened sleepy body, is our impotence to think about the articulation between history and the present, to unmask the extremist imposture that rewrites history to justify the murders of the present, and it is our impotence to think about the articulation between our values, the courage of the present action while facing death. In France, where an increasingly revisionist and violent extreme right-wing is unfolding at the same time as the tragic events in Eastern Europe, we are experiencing a tension at the limit of what is bearable.

But the sleeping beauty, perhaps, is waking up. Not with a sweet kiss from the charming Prince, alas, but with a solid hangover and the awareness that there are several intruders in your room who have all fucked you during this time. They are hysterical, lawless hucksters who despise you because they are convinced that, on the one hand, you are no longer capable of thinking, and on the other, that you no longer have the courage to fight for a cause.

Today, on February 27, 2022, we are closer than ever to a tragedy such as there has never been in Europe, not even during the Nazi period. What can happen is worse than it has ever been. But people, young and older, are standing for freedom and responsibility, fighting for the values of humanism. If Europe escapes from the dead end in which a few madmen have led us, I dream of a courageous, generous, cooperative, intelligent and cultured, open and rational generation, which finally makes Europe take the path of Enlightenment and tolerance that it has lost for centuries.

Impressions of “Paroxysm” by Milena Carbone

Paroxysm

I have already received a few messages from various lecturers who think that a young woman, an artist moreover, is not qualified to speak about what is happening today, and above all they explain to me that I do not know history. But I know history very well. I know history so well that I know it is a fiction, as reality is a fiction, and that it is very easy to rewrite history as it suits us. This is why I don’t listen to politicians talking about history, I prefer to quench my thirst for knowledge with academics and archaeologists, in the silence and respect of libraries or historical sites, suspending my judgment.

Speaking of historical sites and witnesses, I have lived since my childhood in Alsace, in France. It is my “Heimat”, a small territory in the heart of Western Europe, which for millennia has known wars and subjugations, but also glory, thanks to the creativity and work of farmers, fishermen, craftsmen, tireless merchants and explorers, builders of cathedrals and universities, curious scientists, inspired artists and enthusiastic and innovative entrepreneurs. My family has lived in this area since at least the Thirty Years’ War, which took place in the early 17th century. The traces of my family could not be found beyond this period when 80% of the Alsatian population was massacred by Swedish mercenaries. Some of my ancestors fought for France, others for Germany. My grandfather preferred to desert Hitler’s army and I listened to him talk about forgiveness and the matter of present peace.

Today, we are living in the climax of a rude awakening. All awakenings are violent, but every day is the best day of my life.

Milena Carbone

I am from Germany myself. The very day I received Milena’s invitation and read her text as well as visited her exhibition “Paroxysm”, Germany announced to send defense weapons to Ukraine and to reverse the German policy of the last 70 years by a massive effort to strengthen its defense forces within Europe.

Thank you Milena for your text and for your exhibition “Paroxysm

Stand for Ukraine, Stand for a Free Europe!

Landmark to The Carbone Studio
http://maps.secondlife.com/secondlife/Woiler/177/175/3287
Milena’s website
https://sites.google.com/view/thecarbonegallery/news
Milena Carbone’s flickr
https://www.flickr.com/photos/milenacarbone/
Milena Carbone’s writing
https://medium.com/@539568

Dio’s 14th year in Second Life Feb 11th, 2022

Today marks my 14th anniversary of joining Second Life. As always, if asked “Did anything change?” I’d answer not that much, but in fact it has been another year with changes, with a lot of fun, with many galleries and art installations visited, with quite some sims explored, with subs leaving the family and joining the family and my submission to my Mistress wife Jenny did further grow (although I always think that more is not possible).

This year my review os a bit shorter as I tried to focus on the main highlights. As always my review starts with our home and with the family. We still live on the same island with the same neighbours. Just recently we tore down our main house and replaced it with a modern and larger house with pool. We remodeled the surrounding to get the necessary space and I got a real art park next to the house, where I placed all the art that was spread over the sim before.

January 5th – Mount Everest remodeled: Different views on the new house / Diomita with slave Alessi and slave Holly

January 17th – orientation map Mount Everest

Our family has changed. At the time I wrote the anniversary entry in 2021, our family consisted of Mistress Jenny, our niece Angelique, our step-daughter Ebony, our housekeeper, head maid and head slave Flo, our Kitty, and slave Melissa. During the last 12 months we collared Faye (Boy Serenity) and Sun (newlifeloading).
Faye was collared July 26th, 2021 and left us silenty some time in October/November 2021. We still see her around and say hello to each other but that’s it.
We collared Sun as Maurer’s pet Sun on October 9th, 2021. Sadly Sun lost her desire for SL (or for us?), the joy and the fun we we experience in this world. We first unlocked her restraints and let her wander. December 22nd, 2021, we released her. We hope she finds what she is looking for.

Faye (Boy Serenity) and Sun (Newlifeloading)

Since February 2021 slave Melissa showed up only shortly and was rarely with us due to her RL. We saw her end of June 2021 the last time and her last sign of life was end of July 2021. Hence we released her on October 7th, 2021. slave Melissa showed up again end of December 2021. She had an accident in RL and couldn’t log in. Of course we took her back under our wings and we might reinstate her status. So far, she’s a potential again.

The most important change in our family during 2021 was the collaring of our slave Holly on April 30th, 2021, her 9th rezz day anniversary. Holly’s dedication to us and to our family, her true submission and obedience, her character and wit did enrich our Second Life. We’re very happy to have her with us. Read about Holly here.

Mistress Jenny and Diomita with slave Holly

Alessi (Alessi20) also grow closer to us during the last year. Alessi is a shy woman. She’s always polite, obedient and very attentive and she keeps our house clean. We would have collared her but she was and is not ready for this step. Just recently we created a new role for her, Eurobrat sub and treat her as a close family member. Welcome to the family, Alessi.

Mistress Jenny and Diomita with slave Holly and slave Alessi (December 2021)

As of today our family consists of Mistress Jenny, our niece Angelique, our step-daughter Ebony, our housekeeper, head maid and head slave Flo, our Kitty, our slave Holly, our sub Alessi and myself. In addition we have a few subs around us and we will see if any of them gets a collar during my 15th year in Second Life.

Beside these changes in the family we had a lot of fun and excitement in our Second Life again. Reading back in our diaries I want to mention:

  • I had some roleplays with Miss Laura K (misslaurak) who finally made me a member of the mafia. I wrote a blogpost about The Inshan Group (read here). I enjoyed the roleplay a lot and the group is really creative and offers fun. Unfortunately I had not enough time to really immerse into it. (April 2021)
  • In March/April 2021 we had the two E’s with us – Eroticlaire and Elena (Elenaslv Serenity) – read in particular (Diary 2021 (39) March 25th/26th E & E – Elena and Eroticlaire  and Diary 2021 (40) March 27th/28th Breaking in a new slave). Both were great slaves and we enjoyed having them with us. Eroticlaire left us to seek other fun in her SL, Elena is still a close friend of the family.
  • In September 2021 we had a couple of days as the Jenny Maurer twins (Diary 2021 (122) The Jenny Maurer Twins). That was fun, too bad none caught us!
  • In November/December 2021 I had a second owner, Goddess Katie (KatieLouisse). That was a particular experience for me. Yet I understand why Katie had to end it (no drama). And since January 2022 I have another second owner, Mistress Mercy (Steelyeye Blinker). Mistress Jenny and Mistress Mercy get along well, hence I get different new experiences as a sub (and can use them as a domme for our slaves).

Mistress Jenny and Diomita at Carnal Intentions with Eroticlaire and Elena (upper left, Mar 29th, 2021) / Miss K – The Inshan group (lower left Mar 25th, 2021) / The Jenny Maurer Twins (Sep 12, 2021) / Goddess Katie with Diomita (upper right, Nov 22nd, 2021) / Mistress Mercy and Diomita (lower right, Jan 23rd, 2022)

Mistress Jenny and I had quite a lot time together due to the continued pandemic and less work. Mistress still succeeds in surprising and teasing me and with time my submission is further growing as well as Mistress Jenny’s fun in controlling me and subsequently also our slaves. In giving away some control over me to others dommes Mistress Jenny found another way to keep my submission to her growing. She even found a way to lock an extra septum ring on me, which she can easily share with others without losing any control over me – quite evil and effictive. Thank you Mistress Jenny.

What else? I kept this blog running another year, with one post every single day:
– one “Enjoying Bondage” picture every month (12 posts)
– one “Backflash”-entry, picking an old post to republish every month (12 posts)
– roughly 30 simploring entries
– roughly 125 Art in Second Life entries
– about 180 diary posts

My focus has shifted, I did less simploring tours and visited more galleries and art installations. I assume that shift towards art will continue. The reason is quite simply – I like art and I cover some artists and galleries quite regularly. I think I missed no exhibition at La Maison d’Aneli and at Nitroglobus roof gallery and I saw many exhibitions at DixMix Gallery. I covered all installations of Cica Ghost, which make me smile everytime and I saw many exhibitions of Milena Carbone (mylena1992), Nils Urqhart and Melusina Parkin.

Art in Second Life: Dido Haas “Minimal” at her own Nitroglobus Roof Gallery, Funday by Cica Ghost, “And darkness came” by Nils Urqhat, “The Scale of Love” by Milena Carbone”

From still about 30 simploring tours, I picked just a few examples to show the broad variety they offered. I saw three iterations of Grauland (the last in January, read here), I saw Otter Lake (read here) and Nelipot (read here) in Autumn, I visited Noweeta in Summer (read here) and in Winter (read here), I visited Skrunda-2, a place existing in RL, very impressive (read here) and I was in Dya’s Little Jordan (read here).

Simploring – snippets from Noweeta, Skrunda-2, Otter Lake and Dya’s Little Jordan

My simploring tours and art in Second Life are a nice and important counterbalance to my kinky second life within my family and friends.

At the end of this anniversary post is always an actual picture of myself to document how my appearance changed. I didn’t play with head or body shape during my 14th year, but I often wear another hairstyle nowadays. And most of the time you will see me wearing my heavy slave collar and sometimes also the small nosering that Mistress locked on me.

Diomita Maurer – February 2022

What a year again! I’m still happy and I enjoy the journey at the side (or at the feet) of my beloved partner and Mistress Jenny. We both as well as the core members of our little family are embedded in a great community of friends, we know some of them way over a decade now, some for several years and some are new friends of ours. Even if not mentioned by name in this anniversary blog post, these friends do mean a lot to me and to us. SL is first of all about people and it’s you all who keep my and our SL enjoyable and exciting! It was a great 14th year in Second Life and I look forward to the 15th!
Love from Diomita
xoxoxoxox

Art in Second Life 2022 (14) life light by Milena Carbone

Just a week ago I visited Milena Carbone (mylena1992)’s remodeled and renamend gallery – The Carbone Studio (read here). In The Carbone Studio Milena has one exhibition hall that is dedicated to a monthy exhibition of her art. On February 2nd, “life light” by Milena Carbone was opened in this space.

life light” consists of 9 pictures, all showing a female – Milena herself – with different backgrounds in different situations. All pictures are quite bright and minimalistic. So nothing does really distract the focus from Milena, her mood, her face, her body.

Milena wrote about her pictures showcasted in “life light“:
Each of the paintings in this exhibition wishes to offer thanks for the privilege of being alive, for being separated from matter and light, generated by a cold and absolute dark womb.
We are the spectators of the inside of its sacrifice in countless elementary particles dancing a mysterious choreography with a secret melody. We are alive among life, pure beauty, sharp thoughts, fulfilling emotions, love.
We are the forever grateful gifts of nothingness. I remind myself of this every morning as I emerge from my night’s sleep. Every day is the best day of my life.

Impressions from “life light” by Milena Carbone

There’s another text from Milena about Light and life that is on a board next to the entrance and shown in the picture above.
The 9 paintings do express exactly the feelings that Milena listed in her text: “being alive, pure beauty, sharp thoughts, fulfilling emotions, love”. I like them in their simplicity.

Examples of “life light” by Milena Carbone

Milena Carbone (mylena1992) is a French artist and is in Second Life since mid 2019. She discovered its artistic potential and since then has devoted all her free time to creation, associating, as in real life, images and texts: “Milena Carbone is a fiction in which, as in any artistic work, biographical and imaginary elements are mixed.” Her creative process is iterative: some of her images inspire her stories and these stories modify the development of the image, which itself transforms the story.
Milena has an own website, you can also find her on flickr here and you can read her texts here.

life light” by Milena Carbone shall stay open until March 2nd.

Landmark to The Carbone Studio
http://maps.secondlife.com/secondlife/Woiler/177/175/3287
Milena’s website
https://sites.google.com/view/thecarbonegallery/news
Milena Carbone’s flickr
https://www.flickr.com/photos/milenacarbone/
Milena Carbone’s writing
https://medium.com/@539568

Art in Second Life 2020 (11) The Carbone Studio

I got an invitation to see Milena Carbone’s new space. The Carbone gallery has become “The Carbone Studio“. The Carbone Studio combines several purposes: a new concept with exhibition spaces for Milena’s work and performances. And is offers spaces to meditate, relax and watch video clips and even dance.

Along with the new layout, Milena has revised and updated her webpage.

Milena’s webpage as of Jan 28th

The provided landmark leads you to a skybox where you get instructions on how to adjust you viewer settings, in particular, use Advanced lighting Model, shadows of sun and projectors and shared environment. From there you can teleport to the different placed of the studio: The Church, The Dance Hall, The Welcome Hall, The Exhibtion Hall.

I first visited the Church. Here Milena has installed her exhibition “Scandal” in a reproduction of the Church of Light, designed by the famous architect Tadao Ando. I reported about this exhibtion already in this blog here.

Impressions of “Scandal” by Milena Carbone at “The Carbone Studio

The Exhibtion Hall featured Milena’s exhibition “Mild Memories” at the the time of my visit. This exhibtion will only stay open until Monday, January 31st – then it will be replaced by February exhibition “Life Light”.
On her webpage Milena wrote about “Mild Memories”: “Mild memories” is a short exhibition that is very close to my heart. It is a selection of nine works that I love. The series includes works from several past exhibitions. Neither preference, nor pride, simply a link, a mild closeness that I wish to share with you, intimately, for a few days only, before opening my February exhibition.
And in fact I knew quite some of these pictures. It is really a nice overview over her work of the last years.

Impressions of “Mild Memories” by Milena Carbone at “The Carbone Studio

Next to The Exhibition Hall you also find a place to relax and mediate in a small forest. A lovely place just to wind down.

I went to The Dance Hall next. It is used for Milena’s live performances but at all other times it is open to the public.
A 24-hour playlist of music videos, selected by Milena Carbone, is projected on a giant screen. The permanent show called “immersive music” allows you to park your avatar while enjoying a variety of music and very graphic videos.” (taken from Milena’s webpage)
Actually I met Milena there but she was absent.

The Carbone Studio: The mediation area / The Dance Hall / Milena Carbone and Diomita / The board with Milena’s current exhibitions at The Welcome Hall

Finally I went to The Welcome Hall, that is right next to The Dance Hall and probably the space I should have gone first. Here you get information about Milena Carbone, you can grab the monthy group gift and you find a board with all current exhibitions of Milena Carbone in Second Life.

Milena Carbone (mylena1992) is a French artist and is in Second Life since mid 2019. She discovered its artistic potential and since then has devoted all her free time to creation, associating, as in real life, images and texts: “Milena Carbone is a fiction in which, as in any artistic work, biographical and imaginary elements are mixed.” Her creative process is iterative: some of her images inspire her stories and these stories modify the development of the image, which itself transforms the story.
You can also find her on flickr here and you can read her texts here.

Milena was very active in Second Life, owning and was curating three galleries, right now she focused on her Carbone Studio. Well done, Milena. I will re-visit for sure.

Landmark to The Carbone Studio
http://maps.secondlife.com/secondlife/Woiler/177/175/3287
Milena’s website
https://sites.google.com/view/thecarbonegallery/news
Milena Carbone’s flickr
https://www.flickr.com/photos/milenacarbone/
Milena Carbone’s writing
https://medium.com/@539568

Art in Second Life 2021 (107) “No Exit” by Milena Carbone

I got an invitation to see the newest exhibtion of Milena Carbone named “No Exit“. It was officially opened on November 3rd at the main hall of Nitroglobus Roof Gallery.

I have covered Milena Carbone (mylena1992) already quite often in this blog and hence I was eager to see her newest exhibition. Dido Hass wrote about “No Exit” in the accompanying notecard that the pictures were not intended for an exhibition originally. Dido Haas selected them from Milena’s recent pictures and pointed out to her that they all show two characters, which made Milena think of the French philosopher Jean-Paul Sartre’s play “No exit” (“Huis clos” in french). Huis Clos is a play about three (not two) people who have nothing which connects them but the sole fact of being there, locked together in the same closed space. Through this play, Sartre explicitly tells us: “Hell is the others”. We are all the other of someone else, locked into a fictional room, i.e. a theater. In other words: we ourselves are hell.
And thus the story came to the pictures.

Impressions of “No Exit” by Milena Carbone at Nitroglobus Roof Gallery (1)

It’s true, there are always two caracters in each picture. But often it seems to the the very same person just in a different form. It makes you think and begin to interpret something into the picture. But before you do look at the floor in which Milena’s pictures are mirrored. The mirrored pictures are not the same. Little details are different – a bullet becaome a fish, a closed mouth is opened, or a head is replaced with a clock. Intriguing – and motivating the spectator to search for more differences and thus to immerse deeper into the picture and the story.

Impressions of “No Exit” by Milena Carbone at Nitroglobus Roof Gallery (2)

In the center of the exhibtion space you find a box. From the outside you see that there are some texts on the walls inside of the box, and there’s a dog. When you enter the box, you feel like caught in a closed room (the entrance is only transparent from the outside), you literally have “No Exit”.
The texts on the walls deal with “No Exit“, they confront the visitor/reader with incontestable truths, that have exactly one consequence and hence “No Exit” … Example: “The next planet beyond the solar system is nearly 41,000 billion kilometers from Earth. We are not sure if it is habitable. We would have to travel about 234,000 years to reach it with a spacecraft that would hurtle through space at 20,000 km per hour. There is nothing else. No exit.

Impressions of “No Exit” by Milena Carbone at Nitroglobus Roof Gallery (3)

Milena Carbone (mylena1992) is a French artist and is in Second Life since mid 2019. She discovered its artistic potential and since then has devoted all her free time to creation, associating, as in real life, images and texts: “Milena Carbone is a fiction in which, as in any artistic work, biographical and imaginary elements are mixed.” Her creative process is iterative: some of her images inspire her stories and these stories modify the development of the image, which itself transforms the story.

Milena was very active in Second Life, owning and curating three galleries. She has decided to focus on just her gallery and to make the most of it. Hence she gave up her galleries at Noir’Wen City and at Serena. If you want to see more of her and her art, also her performances, then visit her own gallery: the Carbone Gallery (and become a member of her group there). You can also find her on flickr here and you can read her texts here. And finally Milena also has an own website where she covers her work and activities.

Nitroglobus Roof Gallery is owned and curated by Dido Haas. She has a speparete room at the gallery to showcase her own art, the main room is mostly dedicated to feature other artists.
Thank you, Dido for providing the space for the art and for enabling the exhibition “No Exit” by Milena Carbone, which will be open for the public throughout November (i.e. November 26th).

Landmark to Nitroglobus Roof Gallery
http://maps.secondlife.com/secondlife/Sunshine%20Homestead/38/22/1001
The Carbone Gallery
http://maps.secondlife.com/secondlife/Woiler/172/158/3316
Milena Carbone’s flickr
https://www.flickr.com/photos/milenacarbone/
Milena’s website
https://sites.google.com/view/thecarbonegallery/
Milena Carbone’s writing
https://medium.com/@539568

Art in Second Life 2010 (80) Milena Carbone – Untitled

Milena sent me a message on August 10th that she just had opened her newest exhibtion “Untitled” at her Carbone Gallery @ Noir’Wen City. She also sent me the link to the arcticle that she wrote about “Untitled” on her webpage.

I went there right away.
Untitled” is the collection of pictures that Milena has offered her group members for free, one for each month since May 2020. And you still can get them for free if you join her group.
If I counted that correctly, then the exhibtion consists of 16 pictures.
Milena comments on her website and on several boards at the exhibition that “this period, up to July 2021, matches a phase of the maturity of a style composed of multiple layers of textures and real images.

Impressions of “Untitled” by Milena Carbone (1)

This style was the result of two confining beliefs: one that considered the graphic universe of Second Life as “inferior” to other current artistic graphic trends; the other one which avoided imitating an existing graphic style, classic or current.
When we lock ourselves in beliefs, although the results can have successful aspects, they come with too much effort, without real fulfillment.”

Impressions of “Untitled” by Milena Carbone (2)

Impressions of “Untitled” by Milena Carbone (3)

I for my part like these pictures a lot. The different layers provide depth and room for interpretation, they are intriguing because they are a mixture of different media. Milena also comments that she had developed into a new style now:
Today I accept the universe of Second Life as the raw material of my creations.I no longer try to disguise it anymore with texture layers and strong filters, as if shamefully to hide the origin of my images, but on the contrary to show with the maximum elegance possible its characteristics, by emphasizing its unique aesthetic. It is a minimalist work, but it is no less important. It is more subtle. While I loved the flamboyance of my first period, I now thrive on the delicacy of nuance and detail.
Beyond the style, meaning matters. The style that I inaugurate here reveals, more than ever, my attachment to symbolism and surrealism.

There is just one picture that represents this new style of Milena, the group gift picture for August 2021. Both styles have their own facination and I won’t say one is better or more artful than the other. Both have their temptations.

Impressions of “Untitled” by Milena Carbone (4) Fermata (August 2021)

Untitled by Milena Carbone is a fitting collection of some of Milena’s work during the last 1 1/2 year. Along with the comments of Milena this exhibtion also provides an insight into what the artist herself thinks about her work.

Milena Carbone (mylena1992) is a French artist and is in Second Life since mid 2019. She discovered its artistic potential and since then has devoted all her free time to creation, associating, as in real life, images and texts: “Milena Carbone is a fiction in which, as in any artistic work, biographical and imaginary elements are mixed.” Her creative process is iterative: some of her images inspire her stories and these stories modify the development of the image, which itself transforms the story.

Milena has her own galleries: the Carbone Gallery, the Carbone Gallery @ Noir’Wen City and the Carbone Gallery @ Serena. In addition she has an own website and a flickr page.

Website about the exhibition “Untitled”
https://sites.google.com/view/thecarbonegallery/exhibitions/untitled?authuser=0
Landmark to The Carbone Gallery @ Noir’Wen City – exhibition “Untitled”
http://maps.secondlife.com/secondlife/Noir%20Wen/243/217/32
Landmark to The Carbone gallery
http://maps.secondlife.com/secondlife/Woiler/172/158/3316
Landmark to The Carbone Gallery @ Serena
http://maps.secondlife.com/secondlife/Serena%20Pontypridd/69/182/22
Milena Carbone’s Flickr page
https://www.flickr.com/photos/milenacarbone/
Milena Carbone’s website
https://sites.google.com/view/thecarbonegallery/

Art in Second Life 2021 (67) Fragments by Melusina Parkin

I got an invitation to “Fragments” by Melusina Parkin, an exhibtion shown on a seperate platform of Milena’s Carbone Gallery @ Serena.

For the exhibtion “Fragments” Melusina Parkin and Milena Carbone have cooperated for the first time. Milena composed the texts, each piece inspired by one of Melusina’s images. Pieces of sentences that, put together, constitute an absurd story, but a coherent whole, like a journey of human life.

Together with the invitation I got a bunch of information. I have visited quite some exhibtions of both artists.
Melusina Parkin’s photos tend towards minimalism, which is Melu’s main inclination: simple details from daily life or usual landscapes are the subject of mostly empty scenes, stressing voids, space, geometries, lights; this reveals hidden meanings or pushes the observer to give them her/his own one. Her favorite subjects are wide landscapes, city views, industrial environments, popular lifestyles and daily objects.

“Fragments” by Melusina Parkin @ The Carbone Gallery

Melusina wrote:
The image belongs to the observer. I agree with this statement made by the recent semiology and art critics. The reasons that an artist takes a photograph or paints a picture – or is compelled to do that – aren’t the same as those that open the observers’ way to find a meaning in them. Images are just incentives to seek unconsciously in our mind a memory, a meaning, a feeling we saved into the cells of our brain, codified by a mysterious chemical language. More ambiguous images are deeper and can evoke more complex thoughts or feelings.

My photos try to offer these “links” to the observers’ minds by representing simplified, “incomplete” images. Lonely places, empty rooms, absences, silent, still, small details that we usually neglect, when shown in a large size photo can have that power. Fragments of the outer world we live in take to fragments of our inner one.

Examples of “Fragments” by Melusina Parkin with texts from Milena Carbone (1)

When Milena proposed that I show my photos at her new gallery, paired with her written reflections on them, I was curious to know what kind of thoughts they would stimulate. The result of her careful observation has been stunning: her texts reveal even the most private sides of her soul, starting from pictures that don’t belong to her past life, but are linked to her own mind’s archive by multiple hooks : so she tells her stories about an object or a landscape, or even about a color, or a light, and those stories compose a portrait showing something placed between memory, reality, imagination, dream and abstract thought.
I wish that my images could have the same effect on visitors’ souls. No other aim would be more enticing for a photographer.

Examples of “Fragments” by Melusina Parkin with texts from Milena Carbone (2)

The exhibtion consists of two parts – outside and inside. The provided landmark leads to the outside area. Melusina Parker’s pictures are featured on big single boards under the open sky. Chairs are placed in front of the boards so that you can sit down and look at the single pictures. A paved walkway leads you to a center screen, which shows the pictures one after the other in a slideshow – together with the texts, that Milena Carbone wrote.

As you walk along the paved walkway, you can read another accompanying text on the paving stones:
My life is straight as a road through the desert, and this road never stops, it goes straight in circles, it ticks off the numer that never ends. If this desert were alive, my road would be twisty, facetious, chaotic and unexpected. But wem the human species, have sterilized and flattened the earth to satisfy our appetite for perfection, geometry, purity. And all of this, now, is boring like a gray day at the office. Boring and tiring. I am sitting on the bench, exhausted and sad. Here, a circle will never be perfect, Everything we see from the outside is a story. Your life, my life, our life are fragments of stories, nothing is true, nothing is holy.

Examples of “Fragments” by Melusina Parkin with texts from Milena Carbone (3)

Milena Carbone’s texts are created using automatic writing, a surrealist technique. They are initially extracted from independent stories, sometimes autobiographical, often imaginary. Subsequently, they are reworked so that each text is linked to one or more other texts by common images, symbols or sensations.

The inside area contains what might be the other half of the pictures in a traditional gallery. In the center of the inside area you find a bookstore. Those who are regular visitors to Melusina Parkin’s exhibitions know these books already:
Melusina All-in-One Exhibits allow you to keep at home the whole exhibit you visited and loved. It’s an alternative kind of the exhibit catalogue – you can hang the object on your home’s walls and enjoy the changing images.
They come in four versions, that you can choose according to your home style: plain or framed, changing image by touch or in random loop. The objects are set as modifiable, so you can adapt them to your walls.

“Fragments” by Melusina Parkin @ The Carbone Gallery – inside area with bookstore

Milena Carbone (mylena1992) is a French artist and is in Second Life since mid 2019. She discovered its artistic potential and since then has devoted all her free time to creation, associating, as in real life, images and texts: “Milena Carbone is a fiction in which, as in any artistic work, biographical and imaginary elements are mixed.” Her creative process is iterative: some of her images inspire her stories and these stories modify the development of the image, which itself transforms the story.
Milena Carbone currently curates three own galleries: The Carbone Gallery, The Carbone Gallery @ Noir’Wen City, and The Carbone Gallery @ Serena. You can follow her on flickr and you can read some of her texts on Medium.

Melusina Parkin is in Second Life since September 2008. She has been a fashion manager, a journalist, a furniture creator, a builder, a decorator and a photographer. Her work as a photographer has been showcased in more than 50 exhibitions – from which I saw just a few. Melusina has an own gallery, an own store for Art Deco furniture “Melu Deco“, Melusina has a flickr account which counts more than 13,000 (!) photographs. Extensive collections of her photos can be seen also on her blog Virtual Exhibits and on some slideshows on Youtube (links under this post).

Thank you both, Milena Carbone and Melusina Parkin for a this cooperative work, for a perfect combination of images and texts. My visit to “Fragments” was touching and inspiring – a great exhibition!

Landmark to Fragments by Melusina Parkin
http://maps.secondlife.com/secondlife/Serena%20Pontypridd/145/82/2071
The Carbone Gallery
http://maps.secondlife.com/secondlife/Woiler/172/158/3316
The Carbone Gallery @ Noir’Wen City
http://maps.secondlife.com/secondlife/Noir%20Wen/243/203/32
The Carbone Gallery @ Serena
http://maps.secondlife.com/secondlife/Serena%20Pontypridd/69/182/22
Milena Carbone’s flickr
https://www.flickr.com/photos/milenacarbone/
Milena Carbone’s texts
https://medium.com/@539568
Landmark to Melusina Photo Gallery
http://maps.secondlife.com/secondlife/Time%20Portal/248/101/1940
Landmark to Melusina Parkin’s store for Art Deco furniture “Melu Deco”
http://maps.secondlife.com/secondlife/Time%20Portal/243/99/1930
Melusina Parker’s flickr
http://www.flickr.com/photos/melusina_parkin/
Melusina Parkin’s Virtual Exhibit blog
http://meluphoto.blogspot.it/p/home.html
On line book Second Life exhibits 2011-2019
https://www.calameo.com/books/005997622f28dd58ca75d
Melusina Parkin’s youtube channel
https://www.youtube.com/channel/UCVzglBiqhrOLXnAp3Qt3Zjw

Art in Second Life 2010 (64) Milena Carbone – The Scale of Love

Milena Carbone invited me to see her newest exhibtion at her Carbone Gallery – The Scale of Love.
The Scale of Love” is a new installation of the former “Nine Levels Of Love” exhibition showed at Noir Wen City during autumn 2020 (read here).

Milena write on her website: “The exhibition presents nine states of love as expressed in ancient Greek, from fusional love “pothos” to universal love “agape”. Love is a life force that connects us to spirituality. This is why the paintings are installed in a setting evoking antique temples, Christian cathedrals or Buddhist symbols. This is a permanent exhibition at The Carbone Gallery.”

Milena Carbone – The Scale of Love – Impressions (1)

As Milena wrote she installed kind of a cathedral for “The Scale of Love“. With the environment set to “midnight” the room has a contemplative atmosphere. The 9 pictures are quite large and almost each picture is presented in a seperate room, giving it enough room to develop. You can sit down and look at it.

I was not familiar with any scale of love. Milena listed them on her website:
Pothos – possessive love
Mania – passion love
Eros – flesh love
Philia – friendship love
Storgè -tender love
Harmonia – harmonious love
Eunoïa – compassionate love
Charis – unreserved love
Agape – universal love
Pornaia – bestial love (not included in the exhibition)

Each picture of the exhibtion expresses one of the state.

Milena Carbone – The Scale of Love – Impressions (2)

Milena always has accompanying texts in her exhibitions. There’s the “speech of Aristophane” that ends with the lines: “Our species can only be happy under one condition, and tat is to fulfill its love desire, for every to meet their other half, and this to return to their original nature.

And there’s the “Scale of Love”….: “When we love, from the moment we are born until perhaps the instant we die, we participate in the ballet of the eintire universe towards the eternal return of the one. I see in this neither good nor evil, the two being linked like everything else, but as a river, or clock, or wave

Milena Carbone – The Scale of Love – Impressions (3)

Milena Carbone (mylena1992) is a French artist and is in Second Life since mid 2019. She discovered its artistic potential and since then has devoted all her free time to creation, associating, as in real life, images and texts: “Milena Carbone is a fiction in which, as in any artistic work, biographical and imaginary elements are mixed.” Her creative process is iterative: some of her images inspire her stories and these stories modify the development of the image, which itself transforms the story.
Thank you for another great exhibition, Milena!

Website about the exhibition “The Scale of Love”
https://sites.google.com/view/thecarbonegallery/exhibitions/the-scale-of-love?authuser=0
Landmark to The Carbone gallery – exhibition “The Scale of Love”
https://maps.secondlife.com/secondlife/Woiler/177/175/3301
Landmark to The Carbone Gallery @ Serena
http://maps.secondlife.com/secondlife/Serena%20Pontypridd/69/182/22
Landmark to The Carbone Gallery @ Noir’Wen City
http://maps.secondlife.com/secondlife/Noir%20Wen/243/203/32
Milena Carbone’s Flickr page
https://www.flickr.com/photos/milenacarbone/
Landmark to The Carbone Gallery @ Serena
http://maps.secondlife.com/secondlife/Serena%20Pontypridd/69/182/22

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