Art in Second Life 2020 (69) “Craving by Moon Edenbaum”

I visited Dixmix Gallery again, which was built by Megan Prumier, and which I came across by the hint of Violet Boa (read here). At the room Abby a new exhibtion was opened on Saturday, October 10th: “Craving by Moon Edenbaum”.

Moon Edenbaum’s exhibition can be tagged with “Sensuality, shadow and light, point of view and monochrome”

Moon is in Second Life for over 10 years. In his profile I read about him: “the more I learn the less I know , SL photographer & soul explorer”

Impressions of “Craving by Moon Edenbaum”

Moon’s pictures are highly erotic. The pictures radiate sensuality as well as a bit of melancholy. As they are in black and white the focus is only on the female body and face. Moon plays very well with shadows and light to enhance his work. You can see a lot more of him at his flickr page here.

Example from “Craving by Moon Edenbaum”

Thank you Dixmix for providing and curating the DixMix Gallery, thank you Megan for building it and for contributing at it, thank you Violet for the hint and last but not least thank you Moon for your great pictures. I enjoyed my visit. “Craving by Moon Edenbaum” will stay open for visitors until November 6th.

Landmark to Dixmix Gallery 2020
http://maps.secondlife.com/secondlife/Madori%20Bay/46/213/22
DixMix Gallery website
https://www.dixmixgallery.xyz/
Moon Edenbaum’s flickr
https://www.flickr.com/photos/129645631@N07/

Art in Second Life 2020 (58) Milena Carbone’s art at Noir’Wen City

I got an invitation for a particular exhibition at Noir’Wen City, that opens officially on Wednesday September 23rd – “Plead guilty” by Milena Carbone.

It’s the second time that I came across Milena Carbone (mylena1992) and her art. I saw her exhibition “Agape in Pace” at The Itakos Project and Art Gallery in March 2020 (read here)

For Milena Carbone’s exhibtion “Plead guilty“, that extends all over Noir’Wen City, I got a notecard from Nieu (nieuwenhove) and later also from Violet Boa, which describes perfectly a tour not only of this but also of 3 other exhibitions by Milena. I decided to make writing a bit easier for me and to simply use it for my post along with my pictures and some comments.

“Plead guilty” by Milena Carbone above the streets of Noir’wen City

Milena Carbone (mylena1992) is a French artist and is in Second Life since mid 2019. She discovered its artistic potential and since then has devoted all her free time to creation, associating, as in real life, images and texts. By accepting the rule of the “double” (the real “I” and the virtual “I”), Milena Carbone includes herself in her artwork. Her creative process is iterative: some of her images inspire her stories and these stories modify the development of the image, which itself transforms the story.

We arrived at dawn in Noir’Wen City after a quick trip, and we have been immediately fascinated by the density and the harmony of this small regenerated and bustling industrial city of houses and restored buildings in its old factories which do host more than fifty galleries and stores of artists and fetish creators. It is here that Milena has taken over the urban and social space of this small town that has literally become the gallery for her exhibition.

Impressions of “Plead guilty” by Milena Carbone above the streets of Noir’wen City (1)

Going up from the harbor to the central place of Noir’Wen City, the artist has arranged along the streets an impressive gallery of portraits of the inhabitants of this unlikely town who find themselves caught in the act of their desires or dreams. We do not know if each of these portraits overlooking the streets is a wanted poster or the image of their prisoner identity. It is in any case the living beacon of a long apocalyptic poem that we can read as we go along.

Impressions of “Plead guilty” by Milena Carbone above the streets of Noir’wen City (2)

Along your way you find posts with some lines of a poem titled also “Plead guilty”. Above the posts you can click to get to a website from Milena Carbone which offers more background information about the 35 exhibits above the streets and the full poem. Here’s a direct link.

We then visited the church transformed for the exhibition into a place of art where Milena offers us the still unknown “sermon of Mahdi”, the fiction of a new Christ illustrated by paintings inspired by the Renaissance religious art and described in a book readable in SL and exhibited in the church.

Impressions of “The Sermon of Mahdi” by Milena Carbone at Noir’wen City Church

From the church, we reached the castle on the heights of the city, where we had a wonderful lesson about “Nude is Art” with forty original paintings of Milena dedicated to the beauty of the body and its grace, beyond eroticism.

Impressions of “Nude is art” by Milena Carbone at Noir’wen City Castle (1)

We end our visit by stopping at the art center of Noir’Wen to sit for a moment in the center of a virtuous circle of fourteen artworks which illustrate the “nine levels of love” linked with five humanist values. We can then slowly savor the deep pleasures of this new artwork of Milena Carbone, which will require us to plunge back into it to capture all the dimensions and emotions it arouses.

Impressions of “nine levels of love” by Milena Carbone at Noir’wen Art Center

While walking, we could have also seen the galleries of many artists such as Belice Benoir (Ars Amandi), Ambre Singh, Colm Midnight, Al Niekerk, Anaya Oneiro, Jos Loll, Ninatchka, Pask Wasp, KarolinaKatt, BobbiEden, Wyald Woolley … We also noted the presence of a museum of virtual arts with an exhibition on the history of the pink Dildo. But these places will be the occasion of a new visit.

It remains in us the fundamental question that Milena Carbone asks us through this new masterpiece: is it fair to plead guilty?

Impressions of “Nude is art” by Milena Carbone at Noir’wen City Castle (2)

With the opening of “Plead guilty” by Milena Carbone, also this years Noir’Wen city festival has started. It takes place in Noir’Wen city during 2-3 months at the end of the summer.
The Festival will revolve around an original artwork created especially by a selected artist, integrated into the city, with the possibility of using all possible types of visual arts and whose concept will aim to “give life” to the city, its inhabitants and its creators. And the artist of this year is Milena Carbone. There will be quite some events.

I visited Noir’Wen City the first time in April 2020 (read here). Noir’Wen City is a permanent fetish fair with over 50 inworld stores, it is a place to socialize, it is a place for the the arts with several galleries and lots of art exhibited in the streets. Noir’Wen City is a big city and as such offers a great background for pictures and it offers also rentals (luxurious villas). Thank you to Belice Benoir, to Nieu (NieuwenHove) and to the whole team as well as to Nathalie Monday and to Violet Boa who gave me a bit more information.

Landmark to Noir’Wen City
http://maps.secondlife.com/secondlife/Noir%20Wen/187/156/32
Landmark to Noir’Wen City – “Plead guilty” by Milean Carbone – Starting point
http://maps.secondlife.com/secondlife/Noir%20Wen/80/132/32
“Plead guilty” website
https://medium.com/@539568/plead-guilty-1b69921651d3
Landmark to Noir’Wen City Church – “sermon of Mahdi” by Milena Carbone
http://maps.secondlife.com/secondlife/Noir%20Wen/116/136/32
Landmark to Noir’Wen City Castle – “Nude is art” by Milena Carbone
http://maps.secondlife.com/secondlife/Noir%20Wen/85/221/42
Landmark to Noir’Wen City Art Center – “nine levels of love” by Milena Carbone
http://maps.secondlife.com/secondlife/Noir%20Wen/42/117/23
Simploring 2020 (27) Noir’Wen City
https://themaurers.me/2020/04/10/simploring-2020-27-noirwen-city/

Art in Second Life 2020 (57) DixMix Gallery September/October 2020

I got an invite from Violet Boa to attend the opening of the new DixMix Gallery, which was yesterday, September 19th. As I have other activities in Second Life at night, I couldn’t attend and visited today.

The “new” DixMix Gallery? I didn’t know the old one nor did I have come across DixMix Source, who onws the gallery, before.

Six month ago Dixmix convinced his friend and builder Megan Prumier to build a brand-new Gallery. Everything started with a drawing, became a 3D model and step by step, prim after prim, all has been thought and built to show pictures in the best way and make visitors catch that important feeling. The new gallery has the same surface as the old one, but it looks bigger because space is used differently. On the lower floor are three Photography Gallery Rooms dedicated to three very important friends of Dixmix Source: Amona, Abby and Amalfia (R.I.P.)” (taken from a notecard I got from Violet Boa)

The new DixMix Gallery from outside and first impressions from inside

Megan Prumier is a multimedia artist and very active builder. She’s in Second Life for more than 10 yers. Her skills are extended on the field of photography, mostly portraits on modern, minimal and even surreal Scenes. I did see quite a lot of Megan Prumier’s work already, mostly sims she built or was involved in. Just lately I saw Kiyori (read here) and Voodoo Land (read here). I saw Megan’s art last time at La Maison d’Aneli in Septmber 2019 (read here).

DixMix Source is from Brussels Belgium and is in Second Life for almost 14 years. He always had a gallery. He dscribes himself as “artist, photographer, director, musician and more

The DixMix Gallery has several areas. In the middle of the room is a large party space. There shall be a party every Saturday night. Adjacent to the party zone are the above mentioned 3 exhibtion rooms. The party zone itself is decorated with Megan Prumier’s art and has an open view into the 3 exhibition rooms. On the 2nd foor is a “chill out” area with a café and places to sit and meet surrounded by art of Mistero Hifeng. On the 2nd floor are 2 more exhibtion rooms. One showcases the art of Megan Prumier and of various other artists, one is didicated to DixMix Source’s own work.

Impressions of DixMix Gallery chill-out area (left pictures) / Megan Prumier’s art around the party area

I started my visit in the room Amona, which feature currently the art of Maloe Vansant. Maloe Vansant joined Second Life in 2007, a new world for her who had never played games or joined any social network site:
After creating little Maloe, my barbie doll, my pixel soul, I discovered the possibility of making snapshots and I started to make a graphic diary of Maloe’s journey in Second Life, showing the emotions she experienced in this pixel world. I think I succeeded in doing this by using some post processing in Photoshop. I am not a woman of many words, I try to express myself, my feelings, my passion and probably my dark side through my pictures.“

Maloe Vansant at DixMix Gallery September/October 2020

Maloe says about her exhibition at DixMix GalleryI let the visitor make his own story about them, for me, they thrive on my emotions and feelings of that moment.” Enough said, I think.

The room Amalfia features the art of Edie Horngold. It is the first time I came across Edie Horngold and I couldn’t find much about her. She’s in Second Life for over 11 years and began showing her art three years ago supported and encouraged by DixMix Source. Her pictures are quite artful, mostly showing beautiful female avatars or their faces. Edie adds something artful to them, something that changes the picture and gives it a new meaning, a new story.

Edie Horngold at DixMix Gallery September/October 2020

Cecilia Nansen’s work is shown in the room “Abby”. Cecilia Nansen joined Second Life over ten years ago, but took a long break from it. She returned four years ago and found her passion for pictures and learned how to process them. Cecilia Nansen and Maloe Vansant are close friends. I saw the exhibtion “Phenomenal Women” that both created together, just a months ago at at Itakos Project and Art Gallery (read here).

Cecilia Nansen at DixMix Gallery September/October 2020

Cecilia’s pictures are strictly held in black and white. They show erotic scenes mainly related to BDSM yet very stylish and not at all explicit. In her pictures Cecilia plays with light and shadow to highlight just parts. You can spin your own story around the scenes – highly erotic.

Megan Prumier’s room on the 2nd floor features her own art and some other artists like Bamboo Barnes, ariel Brearly and Del May.

Megan Prumier and other artists at DixMix Gallery September/October 2020

In the center of Megan Prumier’s room on the 2nd floor you find a virtine with an animated dancing figure. I did recognize it immediately as one of Theda Tammas dancers. I saw them at La Maison d’Aneli this summer (read here). Another scene of Theda Tammas is displayed in the center of DixMix Source own room on the 2nd floor. DixMix makes his exhibits on mesh linen clothes. This provides a 3D effect that I never saw before so far, very intriguing.

DixMix Source at DixMix Gallery September/October 2020

Theda Tammas will have an exhibition at DixMix Gallery, opening September 26th, in a seperate skybox called “Womb”. The teleporter is right where you land at the gallery but it is not yet opened.

That’s all about the new DixMix Gallery. It has become a longer entry and I shortened it already quite a lot. There is more information available on the website of the DixMix Gallery.

Thank you Dixmix for providing and curating the gallery, thank you Megan for building it and for contributing at it and thank you Violet for the hint and the information folder. I enjoyed my first visit to the new DixMix Gallery.

Landmark to Dixmix Gallery 2020
http://maps.secondlife.com/secondlife/Madori%20Bay/46/213/22
DixMix Gallery website
https://www.dixmixgallery.xyz/

Art in Second Life 2020 (46) Plaza Art Gallery

I got an invitation from Violet Boa to attend an opening at Plaza Art Gallery for Friday, July 17th. As I couldn’t attend the opening and had some time, I went there the day before the opening.

The Plaza Art Gallery is close to a shopping mall. I forgot to check who is running the gallery and the shopping mall, but for sure Violet Boa is involved. The Plaza Art Gallery is a 2 story building next to the shopping mall. On the ground level the work of Kody Meyers (kodymeyers) and of Etamae is showcased. The invitation I got was for these two artists. On the second floor is an exhibtion of the work of Tay (tayana1) and I also visited this exhibition.

The Plaza Art Gallery building

Kody Meyers (kodymeyers) likes to capture the wonderful ambiance and environments created by so many talented landscapers in Second Life, it is his way to relax and explore his imagination: “Each picture depicts a story or is a reminder of an experience one can reflect upon when admiring it. As a perfectionist, I take the time necessary to capture the picture, experimenting with different angles, framings and windlights, until the perfect shot is created — the one that comes alive.
Kody further processes his pictures and at least I couldn’t see that the raw picture was taken in Secons Life. Knowing this background I can imagine that it takes some time to get the results that we can see in his part of the the current exhibtion at Plaza Art Gallery.

Kody Meyers (kodymeyers) at Plaza Art Gallery

I came across Etamae already a few times. I saw “Dominance and Submission” at Elevate Femdom (see here), I saw her work at La Maison D’aneli in April 2020 (see here), I visited her gallery “Eta’s Feed Your Fetish Gallery” (see my blogpost here) and I visited her Extempore Gallery and Lounge (read here).
Etamae is from the UK and began transforming her pictures from the things she has seen and loved in Second Life into something else, in digital art in 2018. Etamae is not defined by just one style or area of art, she plays with different patterns and tries herself out in a broader spectrum of art. I wouldn’t have recognized her as the artist behind the pictures showcased at Plaza Art Gallery, nor would I recognize that the raw picture is taken in Second Life. Well, done!

Etamae at Plaza Art Gallery

On the second floor is the exhibtion of Tay (tayana1). Tay is in Second Life for almost 8 years. Tay says about herself that she’s a dreamer, she loves Life, nature, animals and in particular the ocean. As artist she mostly paints with watercolors. All but one picture featured at Plaza Art Gallery are watercolour art, just one is acrilic. Tay’s art work expresses her dreams well, the pictures radiate peace and a melancholic happiness.

Tay (tayana1) at Plaza Art Gallery

I enjoyed my short visit to the Plaza Art Gallery, thank you for the invitation, Violet Boa. And thank you Kody, Etamae and Tay for you art.

Landmark to Plaza Art Gallery
http://maps.secondlife.com/secondlife/Plaza%20Grand%20Theater/79/156/25
Kody Meyers (kodymeyers)’s Flickr
https://www.flickr.com/photos/181687259@N08/
Etamae’s Flickr
https://www.flickr.com/photos/157802675@N08/

Art in Second Life 2020 (42) Bunkers are Us by Kaiju Kohime

I visited “Bunkers are Us” by Kaiju Kohime, an installation presented at the Green pavilion platform 1 at Itakos Project Art Gallery.

All of us need shelter. It can be a house, a tent, a church. But the past few decades we have increasingly isolated ourselves from others in ever more fortified houses with increasing security and locks. Because of the the increasing amount of threats that are bestowed upon us, like wars, climate change, exponential population growth and fast spreading diseases we have become less confident in our fellow human beings. We have retreated behind concrete masks, concrete skins, concrete bunkers.”
(taken from the accompanying notecard)

You can get to the installation “Bunkers are Us” by Kaiju Kohime either per direct teleport or by using the elevator to the platform 1 from the green pavilion at Itakos Project Art Gallery. The installation consists of several modern buildings arranged in a circle. The ground and the landscape remember of a golf course with bunkers, yet the ground is not green but made of sand like a big golf course bunker.

“Bunkers are Us” by Kaiju Kohime – Green pavilion platform 1 at Itakos Project Art Gallery – overview

The most dominant building is a church or cathedral with a concrete inner building while the outer walls and the two steeples are made of a scaffold. At the entrances to the buildings arms reach out from the ground like cries for help, the entrances themselves are narrow and often it is not easy to get in. Some animated and unanimated figures guard the entrances, static butterflies are in the air. It is a quite bizarre environment, scaring not at the first glance but on the second.

Impressions of “Bunkers are Us” by Kaiju Kohime at Itakos Project Art Gallery (1)

And inside? Some buildings contain just a red animated object that could be a beating heart. One building has books and (brocken) violins inside as if even the culture and art is imprisoned and hard to get.
The cathedral has a dead figure on the ground and an head and two arms at the altar side. Hence if you follow the cries for help and step inside the religious room you might end up as a dead body as well – but that is only my interpretation.

Impressions of “Bunkers are Us” by Kaiju Kohime at Itakos Project Art Gallery (2)

One building has another dead body lieing on the ground together with an overturned pushchair, there are some red roses and a text on the wall:

1 The world is everything that is the case.
1.1 The world is the totality of facts, not of things.
1.11 The world is determined by the facts,
and by these being all the facts.
1.12 For the totality of facts determines both what is the case,
and also all that is not the case.
1.13 The facts in logical space are the world.
1.2 The world divides into facts.
1.21 Any one can either be the case or not be the case,
and everything else remain the same.

L. Wittgenstein – TLP (1922)

Our last shelter is our skin. We hide inside our skin. But not only are we fortifying our houses, are we not becoming bunkers ourselves as well?
(taken from the accompanying notecard)

Bunkers are Us” by Kaiju Kohime is a very thoughtfully made installation that inspries to think about us and how we try to protect us and suffer because humans are social beings. By protecting us we also destroy ourselves to some extent.

Impressions of “Bunkers are Us” by Kaiju Kohime at Itakos Project Art Gallery (3)

Konrad Van Arbenlow (kaiju kohime) is in Second Life since 2007. He soon began creating with prims, until working with sculpts and mesh. He makes trees and landscape objects – and artful installations.
I first came across him when I visited “The Magical Rooms by mrs. & Mr.S” at Itakos Project Art Gallery (read here). Konrad provided some of the objects that were used in this installation.
You can see more of Konrad’s art on his flickr page.

The Itakos Art Gallery is owned and curated by Akim Alonzo with the assistance of Violet Boa. Actually it is a place for arts with 7 exhibition rooms or pavillons: White, Black, Grey, Blue, Orange, Purple, Green Pavillion. There’s also a website where new exhibtions are announced.

Landmark directly to Green pavilion platform 1 at Itakos Project Art Gallery
http://maps.secondlife.com/secondlife/ATL/183/180/1327
Landmark to Itakos Art Gallery
http://maps.secondlife.com/secondlife/ATL/173/191/1009
The Itakos Project and Art Gallery website
http://itakos.it/
Konrad Van Arbenlow (kaiju.kohime)’s flickr page
https://www.flickr.com/photos/186234973@N05/

Art in Second Life 2020 (25) The Magical Rooms by mrs. & Mr. S.

I had a bit of spare time Monday, May 11th, and decided to visit the Itakos Project and Art Gallery and to see “The Magical Rooms by mrs. & Mr. S.“.

The Magical Rooms” is an installation of 4 different rooms, two of them are at the Itakos Project and Art Gallery and two others are located in the skies of Obscure Desires, an adult homestead sim owned by Maloe Vansant. You start your visit at the Itakos Project and Art Gallery. It is recommended to set your windlight to “midnight”, to switch on “sun/moon and projectors”, to switch sound on and music off before your go to the first room.

Room one contains a marine setting. The room has no windows, the walls are of grey stone, nothing distracts from the single scene that is installed at the end of the room and lightend by a spotlight. Three chairs invite to sit down and watch. But what is it? A barbwire fence and colourful jelly fishes, red blue yellw and purple. The spotlight and the shadows liven up the scene the jelly fishs contract and expand. You see the water, the beach but no sun, no wind, no clouds and you hear the rushing sea. The colours and light with the simple grey background has something magic.

“The Magical Rooms by mrs. & Mr. S.” – Room 1

To continue your visit you have to use the green bicycle in front of the room. Room 2 is again a simple room with no windows, instead of a door there’s a curtain of chains. The room is brightly lightened by several moving spotlights. Lying dolls suspended by chains hoover in the room. It took a while for me that all dolls are the same, some are of dark colour though. All wear blindfolds. There’s a chair to sit down and watch how the spotlights change the focus and the shadows, you hear the noise of chains, of opening doors. It is a bizzare scene, scaring to some extent and at the same time peaceful.

“The Magical Rooms by mrs. & Mr. S.” – Room 2

Room 3 is also bizarre and it is again installed in a room without any window. It’s full inside, full of bats. In one corner is a tree that almost fills the rest of the room, Its white leaves cover the ceiling and at the first moment I thought there were white bats hanging from the ceiling. A few suspended hanging chairs to sit hang in the tree. The spots light the room throwing even more bats as shadows on the walls. For me a bizarre scene that impressed me but I didn’t feel well in it.
Funny Remark: After this post was published, I had a nice conversation with mrs S (lauralar) and she told me that I totally misinterpreted room 3. What I identified as bats are roses!! I must have missed the smell of roses and I might have felt much better with the knowledge that it were roses and not bats *winks*

“The Magical Rooms by mrs. & Mr. S.” – Room 3

Room 4 was my favourite. Actually it is more than just one room, it is a house with windows and inside you find several surrealistic scenes, artfully showcased with spotlights and shadows. A feast for the eyes. A few almost holographic persons stand, work and sit there, some art is showcased in display cases. The sound reminded me of chill music yet you also here voices and when you go outside on the terrace you hear ainmals and feel like being in the jungle. There’s a lot to discover!
Another remark from my conversation with mrs S: What you see in room 4 is inspired by mrs. & Mr. S.’s real life and their passion.

“The Magical Rooms by mrs. & Mr. S.” – Room 4 (1)

Who is mrs. S. and Mr.S?
You can grab at notecard at the Itakos Project and Art Gallery with a bit of information:
mrs S (lauralar) was “driven by her fascination for colours, light, objects in rooms and initially merely taking pictures of their combination, mrs. S. discovered her love to design those rooms by herself in the first place. Thus she evolved from a picture maker to a storyteller in her very own way: The idea of a room or space and what it is filled with, as a well designed silent witness of human relations, needs and yearning.
Mr S. (saka infinity) is “an intense partner in discussing the impact of those rooms and became a congenial contributor to the overall experience by using his capability as a musician and light magician. As at various occasions before he brings his magical and sensitive soundtracks and lights to these rooms and by that adding another dimension to it: RL sound recordings, collages and beautifully spheric electronic harmonies make these rooms literally “3D” simply by letting our ears participate.

“The Magical Rooms by mrs. & Mr. S.” – Room 4 (2)

There were more people involved in realizing “The Magical Rooms by mrs. & Mr. S.“:
Maloe Vansant who provided space at her sim Obscure Desires,
Akim Alonzo, the owner of the Itakos Project and Art Gallery,
Violet Boa, who works at the gallery and helped realising this installation,
Moon Edenbaum, who did the writing (I assumme of the notecard), and
Konrad Van Arbenlow (Kaiju Kohime), who provided some of his unique objects to work with.

Thank you mrs S (lauralar) and Mr S. (saka infinity) for your “Magical Rooms“, that impressed me. I enjoyed my visit a lot.
The Magical Rooms by mrs. & Mr. S.” should be opened for a visit until end of June.

Landmark to “The Magical Rooms by mrs. & Mr. S.”
at Itakos Project and Art Gallery
http://maps.secondlife.com/secondlife/ATL/225/196/1009
The Itakos Project and Art Gallery website
http://itakos.it/

Art in Second Life 2020 (23) “Phenomenal Women” by Cecilia Nansen and Maloe Vansant

I got an invitation to visit “Phenomenal Women” in the white pavillon at Itakos Project and Art Gallery. “Phenomenal Women” is an exhibtion of two second life photographers, Cecilia Nansen and Maloe Vansant. Together they selected pictures to illustrate a poem about women, that was written by the African American poet Maya Angelou.

“Maya Angelou (April 4, 1928 – May 28, 2014) was an American poet, singer, memoirist, and civil rights activist. She published seven autobiographies, three books of essays, several books of poetry, and is credited with a list of plays, movies, and television shows spanning over 50 years, she was a cast member of the opera Porgy and Bess, the English-language work by the American composer George Gershwin. Actress, writer, director, and producer of plays, movies, and public television programs, was active in the Civil Rights Movement and worked with Martin Luther King and Malcolm X.” (taken from the notecard available at the exhibition)

“Phenomenal Women” by Cecilia Nansen and Maloe Vansant at Itakos Project and Art Gallery (1)

Maloe Vansant joined Second Life in 2007, a new world for her who had never played games or joined any social network site: “After creating little Maloe, my barbie doll, my pixel soul, I discovered the possibility of making snapshots and I started to make a graphic diary of Maloe’s journey in Second Life, showing the emotions she experienced in this pixel world. I think I succeeded in doing this by using some post processing in Photoshop. I am not a woman of many words, I try to express myself, my feelings, my passion and probably my dark side through my pictures.

“Phenomenal Women” by Cecilia Nansen and Maloe Vansant at Itakos Project and Art Gallery (2)

Cecilia Nansen joined Second Life over ten years ago, but took a long break from it. She returned four years ago and found her passion for pictures and learned how to process them. Cecilia and Maloe are close friends. Their style is different. And you can clearly identify which picture was taken by whom. There’s one exception though. On the second floor on the exhibition are a few pictures showing Maloe and Cecilia together and you can’t tell which was done by who. Actually they both made some of them.

“Phenomenal Women” by Cecilia Nansen and Maloe Vansant at Itakos Project and Art Gallery (3)

The poem accompanies the exhibition and vice versa. It is written on the floor of the gallery and you get the full text in a notecard as well. I really like the poem and it’s rhytym and the pictures selected to accompany the poem express the phenomenon very well. They’re never explicit and always leave room for a little mystery, yet transport the beauty and the gracie of women.

Thank you Akim (Akim Alonzo) and Violet (Violet Boa) for enabling “Phenomenal Women” and thank you Maloe and Cecilia for realizing it. I enjoyed my visit.

Landmark to “Phenomenal Women” by Cecilia Nansen and Maloe Vansant
White pavillon at Itakos Project and Art Gallery
http://maps.secondlife.com/secondlife/ATL/181/216/1009
The Itakos Project and Art Gallery website
http://itakos.it/