Simploring 2019 (40) La Maison D’Aneli in April

I got a hint from Maddy (Magda Schmidtzau) about the upcoming exhibtion at La Maison D’Aneli. It opened on April 3rd and I visited on March 31st while Aneli was still working. The exhibtion shows the art from Bachi Cheng, Calypso Applewyhte, Madga Schmidtzau, RazorZ and Aneli Abeyante herself and an installation from Iono Allen & Theda Tammas. In the entrance hall there’s a motorshow presented by Willem Koba.

La Maison D’Aneli in April 2019 – Willem Koba Motorshow

Willem Koba is in Second Life for almost 12 years. He makes animated textures and mesh objects and runs a shop on the marketplace. At La Maison D’Aneli you see some of his motor vehicles in the entrance area.

La Maison D’Aneli in April 2019 – Aneli Abeyante

I started my visit looking at the room with the art from Aneli Abeytante, who’s the owner and curator of La Maison D’Aneli. Looking at her steadily rotating and colour changing geometric objects, it’s no surprise, that Aneli writes about herself: “I love geometry and mathematics. So after much practice, I managed to clear structures and shapes. In reality I practice painting, I do not have precise style but I always seek harmonization.”

La Maison D’Aneli in April 2019 – Calypso Applewhyte

Calypso Applewhyte is a SL Photographer from France, who joined SL in 2010. Her focus is the avatar itself as a means of expression to transport emotions. She processes her pcitures with Photoshop. The result is really impressive!

Maddy (Magda Schmidtzau), who gave me the hint for the early visit, joined SL in 2009. She’s a passionate photographer in RL and SL. In SL she’s always open to new possibilities and experiments, she tries to convey the magic that i see. At La Maison D’Aneli most of her exhibits show portraits and pictures of avatars, and like Calypso her pictures transport a lot of emotions . It’s intriguing looking at them and to picture a story around what you see.

La Maison D’Aneli in April 2019 – Maddy (Magda Schmidtzau)

RazorZ is in Second Life since 2010. He’s a builder and scripter and he makes sculptures. Like Willem Koba he runs his own store at the marketplace. At La Maison D’Aneli his exhibition space is full of very colourful pictures. I think these pictures were taken in RL and processed to enhance the colourfulness quite exterme. This way the pictures are real eye candies and you see the underlying picture only on a second glance. In his section at La Maison D’Aneli are also some sculptures, again colourful pieces. It’s hard to decide where to look at first.

La Maison D’Aneli in April 2019 – RazorZ

Sofi (Bachi Cheng) is an artist painter and designer from France in RL & SL. He says himself about his art: “I love to paint Moments. Moments of life, Moments of Love, Moments so deep that you never want to forget them, Moments at the edge of orgasm or despair, just life like we ought to live it, plainly. Let me take you in the core of my Art.”
The pictures exhibited at La Maison D’Aneli are painted in RL and uploaded to SL. Sofi (Bachi Cheng) has an own website showing either stylised single persons or groups. Bachi’s style is unique.

La Maison D’Aneli in April 2019 – Sofi (Bachi Cheng)

Last but not least one room at La Maison D’Aneli shows an installaion from Iono Allen & Theda Tammas named “Samurai”. You enter the room through a Japanese gateway. In the room itself you can sit on hoovering cusions and watch a film, Samurei that is shown on all walls of the room allowing you to full dive into it. The film was made with Second Life and is about 20 minutes long. Quite fascinating what you can make with Second Life! In the room is also an animated avatar dancing. Just have a look :-).
Theda Tammas is in SL amost for 12 years. She has had already some exhibtions of her work and it is not the first time that I see an installation of her (see Choreography of a Tortured Soul and Dissected Soul).
Iono Allen is also almost 12 years in SL and from his profile I conclude that his passion are making films. He has some links to films about Theda’s former installation in his profile, just look it up. He made the fil “Samurai”, that is shown in the installation. The film can be seen also on vimeo here.

La Maison D’Aneli in April 2019 – Iono Allen & Theda Tammas “Samurai”

La Maison D’Aneli is owned by Aneli Abeyante. Through her gallery she brings together all forms of creativity in RL and SL and the featured artists come from around the globe. Aneli’s intention is to “put her gallery in the service of artists, so that the world can be better, exchanges and meetings probably contribute even though it seems to be particles.”

Thank you Aneli for another great exhibtion and thank you to all artists. Enjoy your visit – I did.

Landmark to La Maison D’Aneli
http://maps.secondlife.com/secondlife/Virtual%20Holland/43/41/25

simploring 2018 (50) Choreography of a Tortured Soul

I visited “Choreography of a Tortured Soul“, an installation by Theda Tammas at LEA 1. It’s not the first time that I saw Theda Tammas’ art, last year I saw her installations Labirinto at Blue Orange (read here) and Dissected Soul at LEA 15 (read here).
Choreography of a Tortured Soul” ties up to her previous installations. Theda arranged 15 naked, more or less genderless, statues at the edge of a of a flat platform, that is surrounded by steep rocks. The ground is covered with water, that reached up to my thighs and blood is on the surface of the water and at some places also scattered in the air.

“Choreography of a Tortured Soul” by Theda Tammas (1)

All statues are in different moving poses and some of them are rotating around their own axis. Some of the figures seems to dance alone, some dance together as couples or as groups. And all figures have an open wound at their heart and a big scarf on their bald head above the left eye. So it seems to be one and the same person because also the face and the facial expression is the same, but I’m not sure about that. The music, provided by Morlita Quan, is dull and monotonous and expressing sadness and melancholy.

“Choreography of a Tortured Soul” by Theda Tammas (2)

Besides the pictures that I took, there’s a very good video of Theda Tammas’ “Choreography of a Tortured Soul” to give you an impression what to expect. The link is also in the landmark description.

The installation makes the viewer quite thoughtfully about the own soul and about the fate of others. Thank you Theda for sharing your art, and thank you Morlita for the music.

Landmark to “Choreography of a Tortured Soul”
http://maps.secondlife.com/secondlife/LEA1/198/220/21
Video of “Choreography of a Tortured Soul”
https://www.youtube.com/watch?v=6Ve7CdcAis0&feature=youtu.be

Simploring 2017 (88) – Dissected Soul

“Dissected Soul” by Theda Tammas at Split Screen

My simploring tour of Friday, November 3rd, led me to Split Screen at LEA 15 again, which is a temporary home for Dividni Shostakovich’s Split Screen. Split Screen Installation Space is a curated place for artists to develop large installations, often not possible in the physical world.
My first visit was in August 2017 (read here) and it was inspired by a blog entry of Inara Pey. And now I came across Split screen again reading her blog entry “A Dissected Soul in Second Life“.

Impressions of “Dissected Soul” by Theda Tammas at Split Screen (1)

Right now Split Screen hosts an installtion of Theda Tammas “Dissected Soul“. Along with her work Theda give us some words from Fernando Pessoa, a Portuguese poet, writer, literary critic, translator, publisher and philosopher, described as one of the most significant literary figures of the 20th century and one of the greatest poets in the Portuguese language (1888 – 1935) (source wikipedia).
“…I don’t know how many souls I have, I’ve changed at every moment, I always feel like a stranger.I’ve never seen or found myself…”
In the above mentioned blog entry Inara gives her interpretation of “Dissected Soul” starting with Pessoa’s words about his soul. I can follow her thoughts and recommend that you read her blog post.

Impressions of “Dissected Soul” by Theda Tammas at Split Screen (2)

Theda Tammas’ figures in her installation are all different, some miss their head, some there limbs, some walk in a line following a goal, some are entwined on eachother. There are some veines that start at the figures chests and end in a hank, as if someone had teared the heart out of the body? The ground is covered with a mixture of water and blood. But nonetheless the installation is not scary. You get different views of the figures depending from where you look at them, different views on your own soul? And the barbed wire? Does it symbolize the challenges we face in live – or is it the protection that we build around our soul?

Impressions of “Dissected Soul” by Theda Tammas at Split Screen (3)

Theda Tammas’ “Dissected Soul” provides food for thoughts. A visit mustn’t take long, but it might stay long in your mind.

Inara Pey’s blog entry “A Dissected Soul in Second Life”
https://modemworld.me/2017/10/30/a-dissected-soul-in-second-life/
Landmark to Split Screen Installation Space “Dissected Soul”
http://maps.secondlife.com/secondlife/LEA15/142/129/551

Simploring 2017 (49) Blue Orange

When I visited MetaLes..O..Art Virtual Space (read here) I saw among other art, the exhibition Melancholy by Ini (in.inaka). I got in contact with Ini and she proposed to see her last project: Blue Orange and she passed me the landmark to it.

Friday, June 23rd, I had the opportunity to visit Blue Orange. The landmark text describes Blue Orange as a friendly bohemian club for MUSIC and ART lovers. And it is! The landing is at a subway train station, that already contains quite a bit of art. I got welcomed “Hello to all and welcome at BLUE ORANGE bohemian underground club and art project 2, space around club may look tricky and easy to get lost, please use notecard with all locations(inside poster on wall), sure if also lazy to walk 😛 no pressure about advanced lights and WL, but it could help, lets have fun :-)”
I took the notecard, that contains landmarks to see the pieces of art at Blue Orange from Theda Tammas, Cica Ghost, Rebeca Bashly, Jarla Capalini, Gitu Aura, NicoleX Moonwall, In Inaka and Igor Ballyhoo. Blue Orange is group owned, the group was founded by Ini, hence I suspect, that it is Ini’s baby.

The Blue Orange Club

The landmarks in the notecard didn’t work for me, I just got teleported back to the landing point when using them. But you can as well explore Blue Orange without the landmarks. Blue Orange is a club, with exhibitions and pieces of art arranged around this really cozy and individually styled club. I read that every once in a while at Blue Orange there’ll be parties, cozy or crazy, simple or very messy or themed events as well – with some really exclusive Blue Orange music lovers or guest dj’s.

I explored the whole club and the current exhibitions. As with Ini’s exhibtion that I saw at MetaLes..O..Art Virtual Space, Blue Orange offers a different way to exhibit art, from classic exhibtions like those from Gitu Aura, NicoleX Moonwall and Jarla Capalini to art playing with light like Duality from Igor Ballyhoo, from single 3 D art like Great Escape by Rebeca Bashly to 3D art showing 3D statues within a labyrinth from Tehda Tammas, from just 2 pictures from Ini herself to the art installation of Cica Ghost “Rainy Day”. It is not that difficult finding the exhibition even without teleporting, you just have to find the stairways down and up from the club level. When you explore the exhibitions don’t miss to take the notecards that are offerend at some exhibtions and that will provide some more Information about the artists and about what you see.

I liked a lot what I saw. I think the concept is similar to MetaLes..O..Art Virtual Space, changing exhibitions from various artists, and various forms of art. Ini made a great job in realizing this art project. I did enjoy my visit to the fullest and got a lot of inspirations. Thank you, Ini, for providing the landmark but most of all for providing this space for the art within Second Life.

Landmark to Blue Orange:
http://maps.secondlife.com/secondlife/Empire%20State%20Island/213/28/1435